Under these rulers, the shaivite cult was subsumed with the Vaishnavite cult in the temples such as the Thommannon, Beng Mealea, Chau Say Tevoda, Banteay Samre, and Angkor Wat. Thommanon is directly opposite the Chau Say Tevoda and just 500 metres east of the Victory Gate on the way to Ta Keo. In the 1960s, the temple underwent a full restoration, funded by the École française d'Extrême-Orient (EFEO). French archaeologists restored it and added concrete ceilings. Structure: Thommanon is a single-towered temple with an east-facing central sanctuary, crowned by a prasat, or tower. Access from the east is via a gopura, followed by a mandapa, or antechamber, before arriving at the central sanctuary. The temple's carvings are very well preserved and the aged sandstone provides a distinct contrast to the surrounding jungle. The architectural style of its tower is akin to the Angkor Wat temple and the Chau Say Tevoda in its vicinity. Thommanon is better preserved than Chau Say Tevoda, though they are similar in design. The reason for better preservation of Thommanon is attributed to the fact that its superstructure does not have stone-enclosed wood beams. Thus, adoption of sandstone as the medium for carvings in this temple has made it more advanced in its architectural design vis-à-vis other temples in its vicinity, which were mostly wood-based. All doorways include carved pediments. The compound walls around the temple have all disappeared, leaving only the entry gates on the east and the west. The central tower is all that remains of the main temple. It is inferred that Thommanon and Chau Say Thavoda were interlinked to the central tower under one large compound with large gates. The independent building separated from the main temple was the library. Devatas: Images of devatas, the female divine carved figurines, are seen in profusion here, as in other Khmer temples.
They are the centre of attraction in Thommanon. The devatas depict flower crowns, sampots (Cambodian skirts), necklaces, armbands, belts and ankle bands. The mudras displayed are complex. The devatas grip the flower very distinctively, holding the ring and middle fingers against the thumb, while the index and small finger are extended. One Angkor researcher calls this position the "devata mudra" and notes it is also prominent at Angkor Wat. The sampots of the devatas are divided into two types: one is the ancient pleated style, seen in the Bakheng period at Lolei and Phnom Bok (900 AD), and the other is a patterned fabric style with folds and "tail" seen at Angkor Wat. References: 1. Higham, C., 2001, The Civilization of Angkor, London: Weidenfeld & Nicolson, ISBN 9781842125847 2. "Thommanon". Lonely Planet. Archived from the original on December 28, 2013. Retrieved 2010-03-30. 3. "Thommanon". Asia Explorers. Archived from the original on 2010-04-02. Retrieved 2010-03-30. 4. Davis, Kent. "Thommanon Temple – Khmer Devata at the Gate of Victory". Devata.org. Archived from the original on 2010-03-17. Retrieved 2010-03-30. 5. Sharan, Mahesh Kumar (2003). Studies in Sanskrit Inscriptions of Ancient Cambodia. Abhinav Publications. pp. 242–244. ISBN 81-7017-006-0. Retrieved 2010-04-02. 6. "Angkor Temple Guide: Thommanon". Canby Publications. Retrieved 2010-03-30. 7. "Thommanon Temple (built mid 12th-century". Asian Historical Architecture.
